Showing posts with label 1952. Show all posts
Showing posts with label 1952. Show all posts

December 14, 2004

Price Tower

Unlike many Wright buildings that I've enjoyed searching out over the years, the Price Tower stands out in the landscape and is easy to find. It ranks high on my list of favorite Wright buildings next toFallingwater, Taliesin East and Taliesin West.
I may write more later, but I wanted to get the photographs posted.
See the official website for the Price Tower for additional information.
There is a book available on the Price Tower: Frank Lloyd Wright, Louis Sullivan and the Skyscraper
Bartlesville Community Center, designed by Frank Lloyd Wright's apprentice Wesley Peters, is across the steet from the Price Tower.
See below for information about Bruce Goff, a well known organic-style architect with several buildings in Bartlesville and elsewhere.
All photographs were taken in the late afternoon.
The view from across the street with the sun in the background.
Price Tower.
The entryway to the building. It houses a museum as well as a hotel.
Price Tower.
Looking up the building. The fire escape is on the left side of the photograph.
Price Tower.
The antenna on top of the building.
Price Tower.
Some details as viewed from the ground.
Price Tower.
Price Tower.
The supports for the parking carport in front of the building.
These reminded me of the supports that I saw at Florida Southern College.
Price Tower.
This is the view from the Bartlesville Community Center.
Price Tower.
The Walt Whitman inscription inside the building.
Price Tower.
Bruce Goff
The Price Tower has the Shin'En Kan Gate by Bruce Goff on display.
There is more information about the exhibit at the Price Tower website page
Bruce Goff Shin'En Kan Gate.
If you'd like to learn more about Bruce Goff the following links may be useful:
There is a booklet available (~ $18) from the Price Tower Arts Center Free Thought: The Art and Architecture of Bruce Goff that includes a listing and map of Bruce Goff designed homes in the Bartlesville area. If you happen to be touring and take photographs I would welcome the chance to start a Bruce Goff gallery.

August 14, 1999

Luis Marden Residence

This house is a private residence and is not open to the public. It is located in a wooded area that evidently overlooks the Potomac river. The driveway is not well marked, and I did not want to disturb the owners, but I did take two pictures from the driveway. 

No carports, but full garages. I don't know if they were part of the original house.
Looking down the driveway at the garages.
In July of 2000 I was contacted by someone (who preferred to remain anonymous) about their experience at the Marden Residence. Here are the excerpts from their e-mail to me:
It is no wonder to me that FLW wanted the Marden sight for his son. Who wouldn't???? <s> The river at that point is flowing rather rapidly over large boulders. Always wanted to go to the opposite bank to have a look but could never figure a way to get there...not being "into" white water rafting.
 
Gads, David, as to using my observations, it has been over THIRTY years since I was there and they are few and of little value to anyone. You may tell what I have said, but I would rather you not use my name.
 
The most striking thing to me in the interior was the fact that some of the walls did not go to the ceiling. Not being schooled in architecture, I found that extremely unusual. Also the huge expanse of windows on the front. Of course, the walls that display the beautiful paintings were also unusual, I thought.
 
This was a dinner for only the Mardens, my roommate from Germany who they sponsored for entry to the U.S. and myself. It was very nice and the first time I had salad as a last course. <s> Was very young and naive.
 
We did not see any more of the exterior than you have in the color photos you took. If I knew then what I know now, you can bet I would have seen more of it and paid MUCH more attention. Unfortunately, when you are 19, many things escape you. At the time of my visit, I was totally unfamiliar with FLW's work.
 
In my heart though, the house left such a lasting impression. A warm feeling like you would give anything to spend more time with it and really get to know it. Make any sense? Probably not. <s>
I appreciate receiving first-hand accounts of encounters with Wright architecture. If you are interested in having your comments published, either credited or anonymously, please contact me. 

The entryway to the house. I don't know the significance of the boulder.
I'd guess it is part of the original site.
The entryway to the house.